10/28: The Day it All Came Out.

Is it me or do all the good comics come out in the same week?  mad spoilers ahead:

Detective Comics #858:  This was yet another fantastic issue in Rucka and Williams’ instant-classic run.  It provides some back-story on Alice, the villain from the previous arc who was revealed to be Batwoman’s not-dead-after-all sister.  This was the first issue in which Rucka’s writing wasn’t completely overshadowed by Williams’ artwork.  Regardless, the issue looks as good as ever, although Williams’ visual homage to Batman:  Year One makes the inevitable statement that nobody is as good as Mazzuchelli.

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Blackest Night #4:  Don’t get me wrong, I like Blackest Night…  the story is interesting enough, and everyone who’s working on it is doing a great job, but all the really cool shit that I’ve been waiting to read for two years is happening in the Green Lantern series. Blackest Night seems to be focused on telling the story of what happens on Earth during this big space cataclysm while providing neat explanations about who the Black Lanterns are and what their plan is.  This has all been interesting enough, but I really didn’t go into this event wondering what Mera and the Atom would do when the Black lanterns showed up.  I’m starting to feel like this series is aimed more at hardcore DC fans, which is actually commendable even if it’s less gratifying for guys like me.  I hope that JSA fans were exhilarated when that guy who wears a black mask and wristbands got his heart ripped out.  After I Wikipedia’ed Necron I was pretty excited by the revelation that he’s the big force behind all this scary stuff.  I’m pretty confident that this series is going to pan out well, but if the Blue and Orange and Red Lanterns never show up I’m gonna be disappointed.

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Green Lantern #47:  Not that it’s not already apparent, but I am completely loving this series.  The Black Lanterns fight the Red Lanterns!  The Green, Yellow, Indigo and I think it’s Violet Lanterns all team up and fight the Black lanterns.  Then the Orange Lanterns fight the Blue Lanterns, and finally the Orange Lanterns fight the Black Lanterns before getting attacked by the Red Lanterns.  And even though it’s exciting enough to make me sound like I’m seven years old when I write about it, there’s also some pretty heavy characterization in there, too.  Topped off by Doung Mahnke’s fantastic artwork, this series feels more like the main event than a tie-in.  It’s all about Green Lantern, y’all.  Green Lantern.

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-Billy Superstar

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Franklin Firestar’s October Round-Up.

Uncanny X-Men #316: What is this? Here is what I can infer form the opening scenes. A random team of previously unmentioned SPB’s attacks a greasy man working in a diner, who I can assume is the Scalphunter clone from Messiah Complex, last seen in one of those X-Men back up stories talking to Nightcrawler. Anyway, he gets beaten up by this group and taken away, why, I don’t know… Meanwhile, back at X Island, old Japanese scientist guy dies, and they have a funeral. For now we’ll skip over that dangling plot thread/lack of plot development around that group of brainiacs being assembled to reactivate the mutant gene or whatever, because surprise: Scott and Emma’s tumultuous relationship is tumultuous! Scott is lacking confidence in his ability to make future plans and lead his little mutant nation properly, and while Emma can make sarcastic barbs, she cannot provide emotional support, because she has to remain in her diamond form because part of the Sentry’s evil split personality, the Void, is trapped in a little squiggle in her forehead. Aside from the stupidity of that, there is no explanation why her staying in diamond form keeps evil dormant, in the same manner that the Stepford Cuckoos have 3 parts of the Phoenix forced trapped in their hearts, which are also diamond, even though their bodies are flesh. That is leftover hoo-hah from the Phoenix Warsong mini-series, but it’s a concept that hasn’t gotten less stupid with time. Then amidst all this unreality, Cyclops is like, gee, how are we going to get water, food and electricity to our little island? What?!?!? I never heard Magneto fretting about getting food to Asteroid M, or the High Evolutionary getting electricity to the Savage Land! It seems like a totally unnecessary and unprecedented reality check. Everyone knows the X-Men don’t play no reality, does Nightcrawler get poo in his fur when he wipes, does Emma Frost face the onset of menses in her diamond form? I don’t think so! And aside from that, isn’t Emma a millionaire, can’t she just pay for whatever they need? At the end of all this, Magneto shows up, with his powers restored by the High Evolutionary in some unspecified manner, to fight, or take his house back, or something.

 Grade: Lame

 Green Lantern #46: Onto greener pastures! We have a big old fight scene on Zammoran, and an awesome team up begins to gel between Hal, Carol, Sinestro, and Indigo-1. Main Events: A lot of exposition dialogue between Hal and Carol. Identity revelation and subsequent indoctrination into the Black Lantern Corps of the couple who powers the Pink Lantern’s power battery, the release of that Predator thing the Girl Guardians were trying to keep under wraps, the showdown between Mongol and Sinestro, more dead surprises, beaucoup awesomeness! Blackest Night sub-series continue to plug along and dish out that whole dead loved ones rising and trying to rip out the hearts of surprised heroes. That leads us right into Blackest Night Titans #2, which was fairly dope, because Donna Troy’s zombie baby tries to eat her! Everyone loves a zombie baby, and all the resurrected dead are totally awesome and ready with the one-line zingers!

 Grade: Dope

Superman: Secret Origin #1: I like this Geoff Johns penned miniseries way more than Flash: Rebirth. It’s a rare event when an origin story isn’t some bland back story in the last few pages of a regular issue, and aside from that, isn’t just a listing of facts and events everyone’s already heard before. SSO paints a picture of an adolescent Clark Kent, not only dealing with growing up, having crushes, and trying to fit in, but having to deal with these rite of passage events along with the sporadic emergence of his superpowers. It is also a great set up issue, the ordinariness of a boy growing up in middle America town can seem boring, yet this stable background allows for a grounded reaction when his alien origins are revealed, and make them seem all the more extraordinary by comparison. Our cast of characters is set up, with Flash, Lana, and even Lex all making appearances. We also have the origin of Superman’s first costume, and the super teen’s reaction to this is as you would expect, especially when you see him in it. It is great to see the Man of Steel as the awkward, imperfect teen he once was.

 Grade- Anti-suck!

 North 40 #’s 1-3: Fairly enjoyable but nothing spectacular. Retread scenario of two high school outcasts accidentally summoning a great, Lovecraftian evil into their hick town. Everyone mutates, getting fire breath, extra eyes, sea urchin eyes, going all vampire and eating their family. There’s a good guy who got the superest powers of all, a sheriff who has to do right, and a wise old witch of uncertain loyalties. It’s not bad, but anyone who’s ever read Stephen King or John Saul might experience some lackluster déjà-vu.

Grade- Zzzz

Peace out!

Franklin Firestar.

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At Long Last

Man, this Wednesday couldn’t come soon enough.  What seems like ages ago I marked my calendar for one special book, and after weeks and weeks of tortuous anticipation, the wait is finally over.  That’s right, y’all, without further adieu, it’s here:

Spider-Man: Clone Saga #1:  I don’t know what it is;  nostalgia, residual collectors fever, stupidity, hypnosis~whatever it is, I’m disturbingly compelled by these out-of-continuity re-visitations of really horrible comics from the ‘90’s.  I made the mistake of passing on X-men Forever; at 4 bucks a shot twice a month, it seemed like too much of a commitment for something with such high potential for being awful.  Now that I’m lamenting that decision, I realize that the potential for awfulness was exactly why I wanted it in the first place…

Spider-man:  Clone Saga is a “director’s cut” redo of the worst Spider-Man comic of all time.  It’s written by the same guys who stunk it up the first time, and it’s drawn by some guy who’s entire artistic development was inspired by beating off to issues of Witchblade.  It’s an uncut, un-interfered with (editorially) retelling of what the clone saga “should have been.”  It’s the most unconditional guarantee of a completely awful pile of crap since…. I don’t even know what…  the original Close Sage, I guess…

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So what’s the appeal?  Let’s just be real:  most superhero comics suck.  I know that they’re our soap operas, and they create some sort of contemporary mythology and blah blah blah, but, really, a lot of the times you read comics because it’s a cheap thrill and it gives you a nice little dose of schlock between real life responsibilities.  Occasionally you get something that really transcends the genre and qualifies as art or literature or whatever, but more often you get Wolverine with all his skin blasted off.  And that’s fine.  But I guess what’s been bugging me, the thing that’s prevented me from buying mostly everything Marvel puts out lately, is this weird sort of in-between.  I want my good comics to be good and my bad comics to be bad.  So now that we have Bendis sitting in the Stan Lee chair, my feeling is that what we’re getting is a lot of bad comics that are almost good, which just doesn’t quite work for me.  Secret Invasion and all this Dark Reign crap…  to me it’s a lot of good ideas that aren’t paced well or thought through;  good comics that never reach their full potential.  And I don’t want almost good comics.  I’d rather have bad comics, or, in this case REALLY bad comics.

One things for sure: I got what I paid for.  Boy does this comics suck!  So far it doesn’t do much that the original didn’t:  Aunt May gets sick, which inspires Ben Reilly (Spider-Man’s clone) to return to New York (he somehow wasn’t concerned by her last 25 heart attacks, but after this one he feels the need to rush to her aid).  Meanwhile, Mary Jane is knocked up and doesn’t quite know how she should feel about it.  So, a few American Idol references notwithstanding, so far we’re pretty much seeing what came before…. But that’s bound to change as the series progresses, right!??!

Stay tuned!

So, I don’t know.  Maybe I just miss the tone of the comics that were released when I was a teenager, even though they were completely awful.  Maybe I’m just desperate for a Marvel comic that’s not part of some giant, multi-title crossover.  Or maybe I’m just one of those people that’s still bitter about Brand New Day and feels like this out-of-continuity series is more “my” Spider-Man than the current run…  But, really, I think that I just love to hate on crappy comics, and this, my friends, is the Stanley cup of crappy comics.

I’ve talked to Ronald Rosebud about this before…why are we willing to re-read Scott Lobdell’s entire Uncanny run just to rag on it for hours afterwards?  Why am I so eager to borrow my friends run of “Emerald Twilight”?  Ol’ Ronny boy said something that really made sense to me;  “hating on crappy comics is a form of gossip.”  It’s so true!  Reading “Youngblood” is like finding out that your sister’s pregnant again or that your Uncle got fired… Maybe it makes you feel better about yourself, or maybe it’s just thrilling to spread bad news.  Whatever the case, embrace your love of crappy comics!  Read Spider-Man:  The Clone Saga!  You WILL regret it!

In other news, I also picked up:

Green Lantern #46:  This issue totally ruled.  Mad Space War took place, some nice character stuff, some REALLY good Mahnke art.  The usual.  I have to say that the GL book is telling a better Blackest Night story than Blackest Night is.  But I’m not one to gossip, so you aint heard that from me.

-Billy Superstar.

mongul

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New Comics 9/23/09

Wednesday Comics #12. So long Wednesday Comics, I love you. Really, I think this weekly was a stroke of genius by DC. Not all the stories were to my liking, but most of them were.  The giant sized art and newsprint colors were amazing. The writers made the most of the one-page format. DC really needed a winner for their weekly offering after the terrible year-long Countdown and the similarly disappointing Trinity weekly, and Wednesday Comics delivered on all levels.  

Bye bye, Kamandi.

Detective Comics #857. I never saw this one coming. Detective Comics has been the surprise hit of the summer for me. Greg Rucka and J.H. Williams really have brought their A game to this comic. Kate Kane is the new Batwoman we have all come to love since her debut in 52. She has an awesome supporting cast, with her hard-boiled military dad, a tenuous partnership with a werewolf, and lesbian cop love interest. This issue wraps up the first story arc of Detective Comics post-Batman. My understanding is that the next arc will feature the Question who has been appearing as a back up in the current issues.

Fantastic Four #571. In two issues, Jonathan Hickman and Dale Eaglesham have totally blown me away with this storyline. This series is playing with a lot of the cooler plot threads going through the Marvel U. right now: The Illuminati, the Civil War, and Reed’s 101 plans to make the world better. This series is starting off with a pretty heavy emphasis on Reed, but that may change. In any case, the stuff Reed gets up to in these first few issues is some trippy stuff, and definitely the coolest Fantastic Four stuff I’ve read in a long time.

Uncanny X-Men #515, Nation X. After the totally lame Utopia event, we get back to business here with the X-Men moving on with their lives on their new island off the West Coast. There was some pretty cool stuff here I thought, nothing earth shattering, but worth reading.

Giant-Size Wolverine, Old Man Logan #1. Here’s the big finale to the Old Man Logan story. After what I thought was a pretty slow start, this series picked up steam and by the end of part six, the issue before this Giant-Size finale, I was dying to see how this story would end. I was not disappointed, this issue is amazing, with terrific, bloody art by Steve McNiven and a storyline that is part Western and part Superhero post-apocalypse fantasy. Mark Millar keeps me guessing, sometime he lets me down (Fantastic Four, Kick-Ass), but this is the coolest thing he’s done since his 1985 mini with Tommy Lee Edwards.

Old Man Logan.

Next Week:

Green Lantern #46

Justice League of America #1.

Last Days of Animal Man #5 of 6.

Amazing Spider-Man #607

Spider-Man, Clone Saga #1 of 6.

New Mutants #5.

X-Factor #49.

X-Men Forever #8.

Make it Man-Thing!

-Ronald Rosebud.

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Franklin Firestar September Round-Up

Blackest Night #3- Ok, like The Two Towers, this issue felt kind of like filler.  Now, don’t get me wrong, this maxi-series is still quantum levels of writer/artist achievement past any other similar series currently out there (I’m looking at you Avengers/X-Men Utopia), but…there weren’t any major wow moments similar to the first two issues.  We did find out that the various colored lanterns Care Bear staring their efforts together to make a rainbow kayos the black laterns’ rings, and various other little facts such as staying calm throws off a BL’s ability to track you, etc.  But, something that I’ve noticed, that isn’t even really a problem, is that by Geoff Johns writing Blackest Night, Green Lantern, and Green Lantern Corps, they all kind of blend together, and that sometimes, GL, or GLC can be better than Blackest Night, because while BL is focusing on the larger events, the other two books are developing the more individual, personal moments. [Ed’s note: Peter J. Tomasi writes Green Lantern Corps.]

 

Final word on Blackest Night 3- Great art, a major revelation pretty soon in the series which means that things can’t be that easily wrapped up.  Read- more woe on its way.  Also, that new Firestorm inside of old dead Firestorm is going to make for some deus ex machina moment yet to come!

 

 Green Lantern #45- Awesome!  I was not a super fan of Doug Mahnke at first, but he is really growing on me.  And it was great to watch the two main love points of Hal’s life duking it out ( former romance and bromance), especially as when this sort of fight scene happens somehow the two antagonists also end up doing these psychological breakdowns of themselves).  So we have Carol Ferris and Sinestro slapping each other as they throw out personal details about their lives and take assessment, trips down memory lane, etc.  We find out Carol is somewhat unsure of her role as a Love Lantern, and that the Zamorrans have some sort of master plan for her, and that at one point, Sinestro loved Abin Sur’s sister, cool!  Everyone enjoys a good humanizing the villain moment.

 

Green Lantern Corps #40- Carnage on a grand scale as we see the resurrected Lanterns totally ravaging the Corps’ current roster, a rebellion smacked down, and our various Lantern faves having to kill or blast away at former lovers, friends, and deceased family members.  Pretty intense!  

 

Dark Avengers #8/Uncanny X-Men/Dark Avengers Exodus #1- Another pointless Marvel miniseries.  Without going into too much detail, the White Queen was really just an inside job, the mutants are rescued, there are too many for the Dark Avengers to kill, Asteroid M is resurrected as some sort of Cuba for mutants, and the White Queen has to stay in diamond form because she has a piece of the Void (Sentry Dark Phoenix) in her like, mind now, and it’s shaped liked a little black S on her forehead. 

 

Who cares?  Mutants always end up with some sort of refuge that inevitably gets blown up, so no status quo change there, Cyclops and the White Queen can’t bone anymore, unless he has a ruby quartz johnson, which means problems in their relationship, so status quo maintained there, and the world in general hates mutants, status quo stays where it has been since like, God Loves, Man Kills, in 1984.  

 

You want to know the best thing to come out of this?                    

 

X-Men Legacy Annual #1- Emplate’s back!  Man, he is such a creepy character, a weird jagged hair mouth hand mutant who fed on his own sister!  Reading this took me back to those like, first 12 issues of Generation X, with the kids with the freakish powers (ripping off skin to morph, too much skin, hole in torso filled with psionic energy, diamond hard skin in bondage costume) plus that cracked out moody Chris Bachalo art, that series rocked initially!  Well, he’s back, all creepy and looking to eat mutant bone marrow, and is attacking the new X-Men island with his floating lighthouse!  I heart this annual, and the art by Daniel Acuna is like if I could draw LSD hallucinations with pastels.  Taking the straw that was Utopia and turning into digestible gold. 

 

More later on North 40, Flash Rebirth, Fables, and the last days of Ex Machina…

-Franklin Firestar.

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New Comics 9/16/09

Batman and Robin #4. I was really hoping that the art by Phillip Tan in this issue would not get in the way of the story Grant Morrison has been telling in this series. After all, Morrison has so often been shackled with bad artists, from the numerous weak artists who drew his Invisibles stories, to the all-too-frequent fill in artists on New X-Men. For the most part, I think Morrison’s work shines through weak visuals, but I do think the story suffers in this issue. There is some really good dialogue, but the action scenes are weak. Tan is especially weak at conveying good action, as evidenced by his recent run on Green Lantern (issues 39-42), which is too bad because was one of Frank Quietly’s strengths in the first three issues of this series.

Blackest Night #3 (of 8). Another solid issue. Here we are introduced to the as yet unseen Indigo tribe, who show up at just the right time. Really, I won’t spoil it but with everyone dying and with all the black rings flying around, for a minute I was sure a certain DC C-list character was going to buy the farm when bam! Here comes the Indigo tribe! Good action and equally good (and needed) exposition in this issue. In the War of Light, what are you feeling? Fear? Hope? Rage? We’ll need them all to beat back the Blackest Night that threatens to engulf the DCU.

 Wednesday Comics #11. In anticipation of next week’s final issue, the art here just crackles and leaps off the page. I can’t emphasize how awesome this series has been, I love it.

Amazing Spider-Man #605. For some reason, this was a really long issue, with three chapters. The first two, written by Fred Van Lente were okay, but the third by Brian Reed was pretty fun I thought. The next story arc features Black Cat, which is pretty cool, but is written by Joe Kelly, who I sort of hate. Part of the game with this weekly Spider-Man format has been to wait out stories you don’t like and jumping in on the good ones, so I guess I’ll be taking a spider-breather until one of the creative teams I like returns to the series. Also, did you know they’re going to re-launch Web of Spider-Man? You (probably) heard it here first!

 Captain America Reborn #3 (of 5). I wish the first two issues of this series were as good as this one. I’ve been pretty pissed about this return of Steve Rogers story, not so much because he’s returning, but because it has derailed the steady, purposeful pace that Ed Brubaker has set for his entire run on Captain America. First we jumped from Captain America Vol. 5 after fifty issues back to Vol. 1 with issue #600, and now we have the return of Rogers in this five issue mini. Well, the dust has settled a little and this series seems to have found its groove. Slowly but surely, we see what really happened to Rogers, what the Red Skull is up to, and while I’m still not entirely sure where this is all going, I’m feeling a lot better about this whole storyline than I did at the beginning of this mini. Let’s hope for a good ending. As for the art, my anger has faded a little since the unsatisfying end to the Millar/Hitch Fantastic Four run so I can enjoy Bryan Hitch’s art a little more in this issue. Time heals all wounds I guess, plus the art here is a lot better than the FF run, much more detailed, and I think Hitch was born to draw Captain America and the Avengers. There’s an excellent flashback scene where we see Cap, Thor and Goliath all in action. It’s like the Ultimates all over again. I think after all is said and done, Rogers’ return will be reasonably well handled and we’ll continue to enjoy what has been Brubaker’s best mainstream comic coming out right now.

Dark Wolverine #78. This run is stirring up some real intrigue. It would be all to easy to dismiss the son of Wolverine here, but Daniel Way and Marjorie Liu are writing a cool comic here.

X-Factor #48. The best X-book there is, what more could you ask for?

Siren and Multiple Man

 Next Week:

 Wednesday Comics #12.

 Detective Comics #857.

 Fantastic Four #571.

 Uncanny X-Men #515, Nation X.

Giant-Size Wolverine, Old Man Logan #1.

Until then,

Ronald Rosebud.

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Something Old, Something New…

This week I picked up 2 major releases from DC, neither of which blew me away.  Please note that the following reviews feature mad spoilers, yo.

Batman and Robin #4:  I kvetched in advance about Frank Quitely’s successor on this title, Philip Tan, and I can now say it was not for nothing.  One of the greatest storytellers in the industry is followed up by a guy who should be doing fill-ins for Top Cow, and result is a real splash of cold water.  Morrison still delivers on story but the real hero of this issue is inker Jonathan Glapion, who is seemingly trying to salvage these train wreck visuals with some nice textures and some stark (and obscuring) blacks.  I’ll ride out this jobbed out 3-issue arc, comforted by the announcement that the next one will be drawn by Cameron Stewart (illustrator of Seaguy), who will surely deliver.

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As for the story itself, I was initially intrigued by the new Red Hood but really disappointed with the reveal that he’s Jason Todd (presumably~maybe it’s a fake-out and we’ll get a break…).  Why they brought back a character that nobody liked in the first place eludes me, and why he’s still around years later is simply baffling.  I’ll wait and see if Morrison can successfully shine this turd, but hopefully he’ll bump him off instead.  Seriously, is there a 900 number I can call so the folks at DC will off this chump?

Blackest Night #3:  That night just keeps getting blacker, lemme tell ya.  This is definitely a solid series that’s worthy of its big event status, but this issue just didn’t quite do what I wanted it to.  Maybe it’s because I’m not a longtime DC fan, but certain character emphasis just don’t do anything for me.  Last issue I worked my way through some Aquaman family antics, and this time we get a whole lot of Firestorm, and in both cases I was really searching for a point of interest to grab on to.  It’s odd how we get these spotlights throughout this series on lesser characters without a whole lot of explanation as to why they’re interesting (although I was fairly sold on the Hawks in issue 1), and yet we’re constantly brought up to speed on the GL mythology that serves as the catalyst for the story. This issue we’re given the lowdown on the various colored power rings and their history by the newly revealed Indigo tribe leader, but I’ve been following this story in the GL books since the Sinestro Corps War, so I know all about the rings and the War of Light and so any exposition about these things is superfluous to me.  However, I know close to nothing about Firestorm (neither the new one or the old one, who’s apparently dead) and am given very little to orient me as to what his deal is or why I should care.  I wonder if one of the goals of this series is to breathe some life into the C-list?  I wouldn’t be surprised at all to see new Hawkman, Aquaman and Firestorm series’ after this is done…

I don’t wanna harsh on this too much, because it really was pretty good.  The story moved ahead in some engaging and significant ways:  We saw the arrival of the Indigo tribe, a very cool and satisfying explanation as to how the Black rings work, and a much better Barry Allen than we’ve been seeing in the pages of Flash: Reborn.

I guess what this issue really left me with blue balls over was some big ass space war scenes.  I’ve spent that last few years learning about the various Lanterns, all the while anticipating the big cosmic beat-down that was being set up.  We saw some great stuff in that regard in the most recent issue of Green Lantern, but you know what?  Blackest Night is the big event book, and that is where I want my space war to happen.  Seeing as how we’re just under halfway though this thing, it’s a pretty safe bet that it’s on its way, but all I’m saying is it can’t come soon enough…

Like most weeks, Marvel left me empty handed, so I thought I might at least report on a little sumthin sumthin I picked up last Wednesday…

Strange Tales #1:  Some of you readers may not know this, but in my civilian identity I’m quite the Indy enthusiast.  As such, I’m always interested when one of the big 2 puts out an anthology wherein Indy creators are more or less given free reign.  I’m pretty sure this series is more a case of Marvel having a bunch of these stories laying around than a planned anthology, but regardless of how it came together the result is pretty fun.    Highlights include a hilarious and quirky Spiderman story by Junko Mizuno, a Doctor Strange story by Dash Shaw that celebrates the ridiculousness of the character, a Hulk story by Peter Bagge that certainly amuses even if the creators heart’s not necessarily in it, a few clever gag strips by Nicholas Gurewitch, and probably the highlight of this issue is a Spiderman story by Jason in which Peter takes out his insecurities on Dr. Octopus (doesn’t he always?).

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A few contributions are a little phoned in.  Paul Pope isn’t necessarily disappointing, but his Inhumans story pales in comparison to what he’s been delivering in Wednesday Comics, James Kochalka cashes a check with his incidental Hulk story, and John Leavitt and Molly Crabapple provide a She-Hulk story that’s pretty much unreadable.

It’s a mixed bag, but the highs are high enough that it’s worth picking up, even for the 5 dollar price tag (5 bucks!??!  Yikes!).  Maybe I’m just having Marvel withdrawal, as my decision to abstain from all things Dark reign has me buying fewer books than ever.  This brings me to my latest hobby of trying to fill that void by buying old trades I can never find in the store online for like 2 dollars.  This will likely be come a regular feature on this site, starting with a book that will be tough to beat:

The Incredible Hulk and the Thing in:  The Big Change:  This was part of Marvels Graphic Novel series in the ‘80’s.  I read it when I was a kid but never managed to get my hands on a copy until I did some internetting last.  There’s always a fear with stuff like this that the reality of it will pale in comparison to the memory, but in this case it totally lived up.  Written by Jim Starlin with PHENOMINAL art by the great Berni Wrightson, all this book tries to do is tell a fun story with the Hulk and the Thing, and boy does it deliver!  Out of the blue, our 2 dumb strongmen are transported to an alien world where they are roped into a rescue mission in exchange for 2 wishes.  The story isn’t exactly complex, but the interplay between the Hulk and Thing is downright hilarious, and every page is gorgeous.  I wish Marvel would release more well crafted stand alone stories that didn’t take themselves so damn seriously.

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I’m hesitant to buy online when the store provides, but this one really is hard to come by… You can find it on Amazon for less money than Marvel’s standard cover price.   I give it my highest recommendation!

-Billy Superstar

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New Comics 9/10/09

Comics came out one day late, due to the holiday.

Adventure Comics #2. I wasn’t too jazzed by the first issue of this new series, but I was interested enough to pick up the second. Luckily for me this issue proved to be a little more engaging. It’s basically just the story of Superboy finding his way in the world after his apparent death. In this issue he goes on a date with Wondergirl, who makes fun of the fade haircut he had back in the Young Justice days. Remember Young Justice?  I loved those comics (written by Peter David immediately after his departure from Hulk). That reference alone made this comic worth reading.

Booster Gold #24. As I always say, this comic is hit or miss, but I’ve never totally written it off. This issue is pretty awesome, most of the recent storylines have dealt with various members of the Bat-family, which has been ridiculous, but entertaining.

"Robin I, you shall one day be Batman II, mentor to Robin IV!"

Green Lantern Corps #40. What can I say, Blackest Night runs rampant across the universe. If you’re not reading the hottest event in comics right now, you’re missing out. Some supplemental Blackest Night comics I could leave or take, but Green Lantern and Green Lantern Corps are both solid contributors to the greater story being told in the eight part Blackest Night mini-series.

Wednesday Comics #10. I’m going to be sad to see this series end. For the last three months, we’ve been treated to some fantastic art and stories in a giant newspaper format, what fanboy could ask for more? Two more issues of this excellent experimental weekly remain.

Amazing Spider-Man #604. An excellent resolution (for now) of Spidey’s recent run in with the newly resurfaced Chameleon. Written by Fred Van Lente with some cool art by Barry Kitson. Dig those Mandroids!

 Spidey is smart.

Kick-Ass #7. Have I told you how sick I am of Mark Millar lately? I’m reluctant to totally write him off, but aside from 1985, he hasn’t written much that I like lately. Kick-Ass is one I really just don’t like. The story has never really done it for me and I find all the blood, violence, nudity and swearing to be excessive and poorly executed. I’d rather see John Romita Jr. drawing some iconic Marvel characters (an Inhumans mini?) rather that this bloody mess.

Thor: Tales of Asgard #5 (of 6). Tales of Asgard continue to rock, chronicling the adventures of the mighty Thor before he ever became an Avenger.

The Mighty Marvel Manner.

Ultimate Avengers #2. Another Mark Millar comic. I was interested in this title mostly because I wanted to see Millar return to his Ultimates. Some time has past since the end of Ultimates II and then there was Jeph Loeb’s Ultimatum which I never read. So while I don’t know what’s going on, these last two issues have been fairly entertaining, especially since they focus on the Ultimate Captain America, who I think is by far the best Ultimate character there is.

Exodus One Shot (Utopia conclusion). Well, as you may have expected, this event had a pretty ho-hum ending. In short, Cyclops beats the Avengers and the X-Men set up camp on an island they somehow made just off the coast of the Bay Area. Matt Faction, will you please leave the Bay alone? I like my mutants like I like my fresh baked salted pretzels: on the east coast.

X-Men Forever #7. I don’t ask a lot of X-Men Forever, and it don’t ask a lot of me. We got a pretty good thing going on.

WW2 Nick and Logan.

Next Week:

Batman and Robin #4.

Blackest Night #3 (of 8).

Wednesday Comics #11.

Amazing Spider-Man #605.

Captain America Reborn #3 (of 5).

Dark Avengers #9.

Dark Wolverine #78.

Invincible Iron Man #18.

X-Factor #48.

Until next week,

Ronald Rosebud.

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New Comics 9/2/09

Aside from Wednesday Comics, nothing good came out except the last issue of Incognito, so let’s check it out:

Incognito 1Incognito #6. This week, the last issue of a remarkable series by Ed Brubaker and Sean Phillips came out. Incognito was the story of a supervillan, Zack Overkill, who went into witness protection after his twin brother was killed. I really thought this comic was adult in the best sense of the word. It wasn’t “adult” because it has swearing, sex and drug use (although it did have all that), it was adult because the characters were complex, and although they were in a superhero setting, they dealt with issues like love, aging and, my personal favorite, misspent youth. Brubaker makes it pretty clear here that he intends to return to these characters in the future, which is fine by me, because I think this may be the coolest stuff he and Sean Phillips have done so far.

Incognito 2

Incognito 3

Next Week:

Adventure Comics #2.

Blackest Night: Batman #2 (of 3).

Booster Gold #24.

Green Lantern Corps #40.

Wednesday Comics #10.

Amazing Spider-Man #604

Kick-Ass #7.

Thor: Tales of Asgard #5 (of 6).

Ultimate Avengers #2.

Exodus One Shot (Utopia conclusion).

X-Men Forever #7.

Peace out,

Ronald Rosebud.

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New Comics 8/26/09

Billy Superstar may have beat me to the punch for New Comics 8.26.09, but I still got something to say

Batman and Robin #3. Here we are treated to more Grant Morrison character development on his new Robin, plus the introduction of his first arch-nemesis. Then, we get the best art you could ask for from Frank Quietly, check it out below. It’s too bad that Phillip Tan will be drawing the next three issues, but honestly, you could do a lot worse. Also, after the Tan run, we get Frazer Irving, who I love, he most recently drew the three part Azrael mini, which was tied into all the Batman R.I.P. stuff.

Robin IV

Detective Comics #856. Here we have another smoking artist on a Bat-title with J.H. Williams III. I just want to say to Mr. Williams, thank you for taking the time to draw this issue for us. And to Greg Rucka, thanks for throwing in some good character development for Batwoman while we marvel at the art.

Kate and Maggie dance.

Dark Avengers #8. Not only is this comic no good, but I also accidently bought it twice because the two covers looked so different. Darn it, this comic sucks and I got two of them! What a revoltin’ development.

Fantastic Four #570. I’ve been really excited about this issue ever since I realized that this was the first issue with writer Jonathan Hickman. This issue picks up right where the Dark Rein: Fantastic Four mini-series left off, which I think is great, but a few people said that made this first issue a little confusing. I understand that, but for those of us who read the mini, this issue just jams on, telling what I think is a really compelling story. Hickman is a rising star, and I have high hopes for this FF run. Art by Dale Eaglesham, which I liked, but someone else said he makes Reed Richards look like Doc Savage, which is kinda true.

Green Lantern #45. If Doug Mahnke needed a place to stay and get his shit together for a couple of months, he could totally sleep on my floor.

Last Days of Animal Man #4 (of 6). This continues to be a totally entertaining read.

Wednesday Comics #8. Still good. Actually , I think it keeps getting better.

New Mutants #4. I’ve been so surprised by this series, it really is good. This issue wraps up the first story arc and points the way forward for this promising new title.

Legion is rad!

Dark Wolverine #77. Writers Daniel Way and Marjorie Liu, with artist Giuseppe Camuncoli continue to make me give a damn about Daken, Wolverine’s bastard son who has taken the lead role in this series since the end of the Old Man Logan run. This issue continues the web of intrigue spun by Daken between himself, the Dark Avengers, Norman Osborn, and the Fantastic Four. This comic makes me feel real tension when I ask myself, who’s smarter here, Norman Osborn, Reed Richard, or Daken?

X-Men Forever #6. Chris Claremont, revisiting the 90’s X-Men. It’s got the kid Storm and Gambit spoutin’ his trademark New Orleans dialogue like it was 1993. I just want to put on a Tribe Called Quest album and read these comics all day.

Next Week:

Wednesday Comics #8.

Incognito #6.

Invincible Iron Man #17.

Until then,

Ronald Rosebud.

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